Nine Times Nine, by Anthony Boucher (1940)
Matt Duncan is an impoverished writer who’s just been let go from the Los Angeles WPA writers’ project (it would take an entire article to explain this idea to the millennial reader; Wikipedia has one here). He runs into a wealthy school friend and rapidly finds himself working as an assistant to Wolfe Harrigan, a professional debunker of phoney religious cults; meanwhile Wolfe Harrigan’s beautiful niece Concha is attracting quite a bit of Matt’s attention, even though she’s engaged to his wealthy school friend.
Currently, Wolfe Harrigan is investigating a religious figure calling himself Ahasver, the Man In Yellow, whose “Temple of Light” is developing a huge following. Sure, it looks like another loony-tunes cult, but Ahasver is raking in a lot of money and developing a lot of fanatical converts. The Temple of Light has a cursing ritual that it enacts in order to bring disaster to its enemies, called the “Nine Times Nine”. When Wolfe Harrigan is the latest recipient of the curse, he laughs; but the next day, Matt Duncan looks up from the croquet lawn to see a man in a yellow robe in the study with Wolfe Harrigan. Harrigan’s sister is sitting outside the study, and she didn’t see anyone leave … all the doors and windows are locked from the inside. But Wolfe Harrigan’s murdered body lies on the floor and no one knows what happened. Lieutenant Marshall of the LAPD investigates, with the help of his wife, who’s a retired burlesque dancer (coincidentally, she’s reading the locked-room chapter from John Dickson Carr’s The Three Coffins at the time), and learns that, at the exact time of the murder, Ahasver was lecturing to a group of his followers miles away. It takes the talents of Sister Ursula, amateur detective and member of the Sisters of Martha of Bethany, to figure out the answer to this difficult locked-room mystery.
Anything by Anthony Boucher is worth your time, to be honest. Boucher — yes, the guy after whom they named the BoucherCon mystery convention — was a prominent critic (for the San Francisco Chronicle) and mystery writer, expert on Sherlock Holmes, creator of mystery-oriented radio programmes, and also an expert on science-fiction. And in general he was a polymath; one of those people who knows everything about a few things and a lot about everything in general. He only published seven mystery novels, but each one of them is intelligent, inventive, and brain-crackingly difficult. Boucher only wrote two Sister Ursula novels, of which this was the first; the other, Rocket to the Morgue, is a fascinating roman a clef set against the background of the actual science-fiction writers group of which Boucher formed a part. Both were first published as by H. H. Holmes (who was an actual turn-of-the-century murderer in Chicago), but Boucher’s other five mysteries came out under his own name.
I won’t say much about the mystery itself here, for fear of spoiling your enjoyment. Trust me, it is a genuine locked-room mystery, and you can imagine that if Boucher had the nerve to suggest to the reader that the locked-room chapter from The Three Coffins would be worthwhile reading, you can bet that he came up with a solution that will make you slap your forehead at the end of the book. If you follow the plot very closely and don’t allow yourself to be fooled by preconceptions, you will possibly be close to the solution at the end; it’s a satisfying and smart answer to a difficult puzzle.
But there are other reasons why this book is worth your time. For one thing, Boucher gives us a wonderful glimpse of West Coast U.S. society just at the U.S.’s entry into the Second World War; these pseudo-religious cults used to be a regular thing in Southern California, and Boucher has produced a delightful insider’s view. The characterizations are charming and, while some of them might be difficult to believe (it’s not likely that burlesque artists marry policemen and settle down, and this is just as unlikely as a mystery-solving nun) they hang together and definitely interest the reader. In fact this novel has a lot about people and how they react to stressful situations. I think it’s safe to say that the mystery is the strongest point of interest in the book, but the background interactions are fun too.
One small point I did notice particularly; Boucher is one of the few mystery writers of the time to introduce a homosexual character, Robin Cooper, into this work (someone who wouldn’t yet identify as a “gay man”, but that’s what we see). Yes, the portrayal is of an effeminate “swish” who’s in cahoots with Ahasver; pretty offensive to the reader of 2015. But two things stand out. One is that there’s a homosexual character at all which, believe me, was very rare in this time and place for a mystery novel. The other is that, interestingly enough, Boucher gives us a glimpse of the social context and tells us that not every 1940 adult was so simplistic as to partake of knee-jerk homophobia. Listen to this little passage, from page 199 of the IPL edition:
[Lieutenant Marshall is speaking to Matt Duncan] “But Mr. Cooper still interests me. I’ll go further — I am fascinated by our sweet little Robin.” “Why, Lieutenant!” Matt imitated the cherub’s birdlike cadences. “It’s a good act. It’s a honey of an act. But it is an act, and it slipped at the end. He’s no ecstatic hanger-on of the Ancients. He knows what he’s about; and unless my guess is way off, he’s probably about as influential as any member of the Temple.” “You think so? Him?” “The stupid tendency of the normal male is to discount everything said or done by one who seems effeminate. You think, ‘Nuts, he’s a swish — the hell with him.’ It’s about as clever a front as you can pick. Smart lad, our Robin.”
Still not especially politically correct or even enlightened, but further down the path than one might have expected.
I know you’ll enjoy this novel, if you just relax and let it roll along. If you are like me and always want to try to solve the mystery, you’ll find this one quite difficult but not absolutely impossible. And you will also enjoy the milieu of 1940s California, and Boucher’s insightful eye for social change and ear for dialogue. There’s also a romantic subplot, some interesting observations on religious belief, and Sister Ursula, who to me should have been the hero of a few more Boucher novels.
My favourite edition
I am given to understand that the first edition of this book was issued without a dust jacket, probably because of wartime paper restrictions. (Added a few days later: I listened to the wrong bookseller — see the comments section below. The paper restrictions idea was mine alone, and it was wrong. I’ll add a photo of the first edition’s jacket in the middle of this post for the reader’s edification.)
I think my favourite edition would be U.S. Penguin #553, pictured here. #553 is not, as you might, think, their 553rd book; their numbering system is quite bizarre but this would be one of their first 50 publications, in 1945. I like the deep green that is shared by this line of books; the illustration is cheerfully bad and I like the idea that this is the only such paperback as by H. H. Holmes.
Good review of a book that is not one of my favorites by Boucher. I don’t remember that character of Robin Cooper but I like what Boucher was doing in pointing out the innate prejudices most straight guys have towards anyone who appears effeminate.
Not true about the first edition of this book being issued without a dust jacket. No clue where you picked up that tidbit, but it’s just plain wrong. I’ve seen the 1st edition DJ and there happens to be a copy for sale online right now with a DJ. There are several images all over the web of DJs for NINE TIMES NINE. Just Google the title and use H. H. Holmes (not Boucher) as search terms and hit “Images”. You’ll see them.
The only publisher I know of that for a time did away with DJs during wartime was William Morrow when they opted to use pictorial bindings instead of paper dust jackets. You can examples on THE UNICORN MURDERS by Carter Dickson, PAPA PONTIVY & THE MAGINOT MURDER by Bernard Newman and TICKETS FOR DEATH by Brett Halliday. NINE TIMES NINE was published by Duell, Sloan and Pearce who always had interestingly designed DJs, especially those on the books by Dorothy B Hughes.
I agree, I got bad information; as I recall, from a vendor on Abebooks where I scooped the photograph of the jacket-less first edition. I’ll take a moment later and make a note in the body of the article, but thanks for pointing this out. I also heard from professor emeritus Douglas Greene, who bought a first in jacket for pocket change.
It’s funny that nobody remembers Robin Cooper!! He kind of flies under the radar unless you are looking for gay characters in GAD, a topic in which I’m interested right now.
I remember enjoying this one, especially for its take on religion, but cannot, for the life of me, remembers the mechanics of the murder method. Thanks Noah, clearly must read this one again (or at least read my own review of it – really can’t remember much at all except the set-up – most distressing’) 🙂
I won’t say too much, but it’s a very clever method. There’s a couple of tiny little clues that lead you to understand, once you understand the method, WHY it was chosen the way it was, which is usually something that lesser writers leave as a “given”. The murderer has a casually-mentioned history of certain types of activities that contributes to the verisimilitude once you realize what happened.
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